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LANCRET, Nicolas
The Seat of Justice in the Parliament of Paris in 1723 g
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ID: 07799
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LANCRET, Nicolas
French painter (b. 1690, Paris, d. 1743, Paris).
French painter, draughtsman and collector. He was one of the most prolific and imaginative genre painters of the first half of the 18th century in France, and, although after his death he was long regarded as a follower and imitator of Antoine Watteau, his work is markedly personal and often innovative. He began training as an engraver but soon apprenticed himself to Pierre Dulin (1669-1748), a moderately successful history painter; by 1708 he had enrolled as a student at the Academie Royale de Peinture et de Sculpture, Paris. At an unknown date he entered the workshop of the genre and decorative painter Claude Gillot, who had been Watteau's master. This move signalled an important change of direction away from the history painting pursued by his friend Francois Lemoyne. Two contemporary biographers, Ballot de Sovot and D?zallier D'Argenville Related Paintings of LANCRET, Nicolas :. | Winter g | Fete in a Wood s | Solemn Session of the Parliament for KingLouis XIV,February 22.1723 | Mademoiselle de Camargo Dancing g | Lady and Gentleman with two Girls and a Servant | Related Artists: WRIGHT, JosephEnglish painter (b. 1734, Derby, d. 1797, Derby).
Painter, known as Wright of Derby, where he was born and spent most of his life. He earned a living as a portrait painter, while he experimented with the effects of light and industrial and scientific subjects, reflecting the interests of his day. Two of his best-known works come from this period, A Philosopher Lecturing on the Orrery (1766, Derby) and An Experiment on a Bird in the Air Pump (1768, Tate). BEMBO, BonifazioItalian Painter, active 1444-1477 Joseph Thors(ca. 1835 - 1884) was an English landscape artist who exhibited widely in England during the late 19th century.
Relatively little is known about Thors's life though he was recorded as living and working in London, then Birmingham - he also travelled for a while in France. He exhibited at the Royal Academy of Arts, British Institution, and Society of British Artists in London, and was also exhibited in Birmingham between 1869 - 1900.
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